The Raven Turns 170

One hundred seventy years ago, the most famous poem in American literature made its first appearance in print. Edgar Allan Poe had initially shown his poem “The Raven” to the staff of Graham’s Magazine, which rejected it. Afterward, George Colton agreed to publish the poem in his magazine, The American Review, a Whig Party publication. Colton probably paid Poe about fifteen dollars, which was standard based on space rates for the magazine. That would be about $468.75 in today’s money. Different sources relate that Poe might have been paid $9, $10, or even $30 for the piece.

“The Raven” appeared in the February issue, which came out in the middle of January. The editor prefaced the poem with this comment:

Although the poem first appeared under the pseudonym “____ Quarles” instead of under Poe’s own name, the identity of the author was soon revealed when the Evening Mirror reprinted “The Raven” in the January 29 issue. The editor, N.P. Willis, provided the following introduction:

We are permitted to copy (in advance of publication) from the 2d No. of the American Review, the following remarkable poem by EDGAR POE. In our opinion, it is the most effective single example of “fugitive poetry” ever published in this country; and unsurpassed in English poetry for subtle conception, masterly ingenuity of versification, and consistent, sustaining of imaginative lift and “pokerishness.” It is one of these “dainties bred in a book” which we feed on. It will stick to the memory of everybody who reads it.

The New York Express claimed the poem “far surpasses anything that has been done even by the best poets of the age…In power and originality of versification the whole is no less remarkable than it is, psychologically, a wonder.”

The poem soon caused a sensation on both sides of the Atlantic. Elizabeth Barrett (now know as Elizabeth Barrett Browning) wrote Poe, “Your ‘Raven’ has produced a sensation, a ‘fit horror,’ here in England. Some of my friends are taken by the fear of it and some by the music. I hear of persons haunted by the ‘Nevermore,’ and one acquaintance of mine who has the misfortune of possessing a ‘bust of Pallas’ never can bear to look at it in the twilight.” Poe would proudly show this letter to guests to his home.

When Poe issued the book The Raven and Other Poems in 1845, he dedicated it to Elizabeth Barrett. Having just read Poe’s terror tale “The Facts in the Case of M. Valdemar,” she wrote her future husband Robert Browning, “I send you besides a most frightful extract from an American magazine sent to me yesterday…no, the day before…on the subject of mesmerism—& you are to understand, if you please, that the Mr. Edgar Poe who stands committed in it, is my dedicator…whose dedication I forgot, by the way, with the rest—so, while I am sending, you shall have his poems with his mesmeric experience & decide whether the outrageous compliment to me EBB or the experiment on M. Vandeleur [sic] goes furthest to prove him mad.”

Around the same time, the young British artist Dante Gabriel Rossetti read “The Raven” and drew some illustrations for it. He also wrote a poem, “The Blessed Damosel,” inspired by it. This became Rossetti’s first popular poem, and he went on to become a prominent poet and painter.

A month after its first printing, “The Raven” was parodied when the Mirror printed “The Owl: A Capital Parody on Mr. Poe’s ‘The Raven’” by “Sarles.” This was followed by “The Veto” by “Snarles” in the February 22 New York World, “The Craven” by “Poh!” in the March 25 Evening Mirror, “A Vision” by “Snarles” in the April 15 New World, “The Gazelle” by C.C. Cooke in the May 3 Weekly Mirror, “The Whippoorwill” by “I” in the June 7 Weekly Mirror and “The Turkey” in the June 25 Alexander’s Weekly Messenger.

The popularity of “The Raven” allowed Poe to perform his poetry to large audiences in the nation’s major cities. He became so associated with the poem that his nickname became “The Raven.” In spite of its success, the poem made Poe very little money. Without effective copyright laws, his works were reprinted multiple times without Poe being paid.

After seventeen decades, “The Raven” remains a favorite with readers, it is read countless times at Halloween, and even has an NFL team named after it. In honor of the anniversary of the first printing of Poe’s greatest poem, we will end this post with a reading by that master interpreter of Poe’s works, Vincent Price.